the 6th release on bond celebrates its makers return to the wheel. it consists of three tracks made by petter b and is part of a series called roots. the a-side, roots pt i, is as ballistic track that got a simple yet addictive stab as a hook. it sound could best be described as that t-shirt you went clubbing in for 24h and that you should wash thoroughly before ever wearing again. that dirty. on the flip side you got drummer iii which, like its predecessors, is a simple yet effective tool track. last but not least you got shut your eyes. follow the titles advice and leap of into infinity and beyond with this 303/707 minimalistic soundscape voyage. a perfect end to a great night.

vinyl only release !! long live 90s house! the new 10 inch supersingle 160 by o*rs takes us back on a journey through time without suffering a loss of modern or contemporary sound. with *body talk* the berlin based female producer perel creates a future house classic featuring no less than abba lang. lang, who lives in berlin but originally comes from uganda, not only add his voice to the original track but creates a delicate hip hop rhythm while reciting – and harmonizes perfectly with perels vocals and the sound of the track. *this love*, the second track featured on the limited supersingle is a house tune which has it all: love of detail, funky grooves and extravaganza. o*rs 10inch 160 – one record, two tracks and a perfect fusion of house and hip hop.

blind jacks take us on another tripp, not just any tripp. a collectable series of musical journeys and dreams. this journey begins in the fontainebleu forest of paris and on to n&#337,,,,tincs via the hungarian hills of börzsöny concluding in the secretive depths of coed y quad. vinyl purchase allows you access to rare secret digital tracks from each artist also. apply within. hand stamped double mint ice cream vinyl.

nice price deal !!! amazing & groundbreaking compilation!! with success comes ambition, and on the heels of two successful 12-inch releases that followed the changing seasons of 2013, studio r returns for fall 2014 with our most expansive offering yet. coming in the form of a 12 track triple ep, our third release revisits one illustrious name – fred p – while deepening the roster with a list of the renown like brendon moeller, exercise one and mike parker, hot upcoming names like zadig, dj spider, and hakim murphy, and lesser knowns, some new but others with long histories. those with their ears to the ground will certainly perk up for contributions from andré kronert and boyd schidt, each of which can trace their production histories back over a decade, the former as head of night drive music and the latter as half of the georgian duo greenbeam & leon. the remaining three – harry light, j&#363,,,ras lietus, and weitone – are all newer, with the first making his debut here, the second having debuted on our own wavereform imprint, and the third ostensibly new, although he may have some history we will not reveal here.

a jam session between herbie hancock and larry heard. this is how the recent salvatore stallones album has been described. words written by the most influential italian reporter christian zingales.. if the matching was not enough. pressing on heavyweight 180 gram vinyl.

ali loves last seven releases, whether with hot natured, infinity ink or as solo artist, were all radio one essential new tunes. third solo album p.u.m.p was produced and co-written alongside steve dub (chemical brothers / primal scream) and mark ralph (hot natured / hot chip) and gained accolades across the board from tastemakers and media alike, a tour de force of sumptuous summer sounds and willfully weird and rarely less than entertaining . ali will be taking the album live on tour in the not too distant future.

another vinyl installment from rotterdam based citrus recordings. hard hitting drum & bass just as you like it. heading up the 12inch we find ukrainian drum & bass prodigy nick bee delivering massively on iridium.the waspy bass sounds and bouncy drums make this a real floor filler and an excellent addition to your neuro sets. we continue with coincidence by an up and coming duo from lincoln, uk! soligen & type 2 have recently been conquering the scene doing split releases with the likes of state of mind and bcee. if you havet heard of them, perhaps its time you did. naughty full on techno flavored beats for the get down crew, best not to sleep on it!

there is definitely something mysterious about hiss:1292, and unlike a number of other techno projects, it is not the identity of the two producers at stake here

• three superb new collaborations from brothers
• another fine bundle of established artists go head to head...
and make a return for the 6th instalment on brothers, hooking up with 3 fresh new artists, adding to the labels growing roster of techno talent.
headless horseman makes his debut ride out for an external label, laying down a bad boy broken beat stepper with and for a brutal but grooving a side offering. for b1 earwiggle boss and one half of tinfoil, sunil sharpe, teams up with and to serve up the pounding slab of acidic techno that is security breach. the final track for bros006 sees and and d.carbone collaborate on a relentless 4x4 acid bomb.
three collaborations that you may not see again so grab this record while you can...
mastered by matt colton at alchemy // artwork: ryan self

hopeworks opened just under two years ago, in the heart of sheffields former industrial centre. this empty warehouse has since become the hedonistic epicentre of the citys vibrant all night clubbing scene as chief resident and director of hopeworks, lo shea has built the ethos of the space from the ground up. having hosted an enviable list of international guest artists as well as showcasing the best of tomorrows talent, hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. a platform to release the music inspired by the space and its loyal crowd, not to mention the artists who have contributed to its success, makes perfect sense. who better to take the helm of this debut voyage than lo shea himself… following his successful seaghdha series, liam continues to flesh out a distinctive sound that doesnt easily fit into genre divides, but which is informed and inspired by all those late nights. often functional, always perfectly weighted - his productions have - given the diverse & astonishing energy of the space that feeds them - gained support from djs and dancers the world over… this is 100% mixed in sheffield & believe us, hope, works.

the hot creations powerforce show no sign of slowing down as they get set to release ‘acid jump’ from new yorkers eskuche & nu sky. destroying dancefloors all summer at the hands of jamie jones, the title track is a high-energy hitter and the ultimate weapon for peak time with big, powerful builds yet packed with groove, standout vocals and futuristic synths taking you on a journey into space. on the b-side ‘the future’ follows suit with an extremely infectious bassline and trippy fx. this is a killer two track release not to be missed!

raphael rundell und hot chips joe goddard with their fresh sounding project

dapayk & padberg welcomes the autumn season with layers. the original version on their 2013 longplayer smoke is a delicately written piece of slowly evolving poetry, that now is wrapped in deep interwoven coats. the new clubby layer 3 version by dapayk & padberg is haute musique, that not only leaves a warm shiver in your head but also salt on your skin.

in memory of one of the greatest warehouse parties to hit adelaide, percussions tool kit is a collection of tracks that were needed and not available at the time

the maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. it represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90s which led directly to the formation of what we now know as the pure modern style. a commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. the a-side, featuring eyo olokun, signifies unfathomable deep grooves. that is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.

returning to his original home for this ep, it represents yet another left turn on the ukkonen musical path. the man himself says: *once again i want to change direction a little, whilst still keeping all the things i love in there - the polyrhythms, phasing loops, ambiguous timings and so on* however this set sees the tempo looser than before. we are not sure if post-techno actually ever happened, but maybe post-discotronica is, er, in the post. anyway, we liked the tracks so much that we once again went the extra mile with the physical product - a clear and white marbled thing of beauty, cut to 10 inch size in a 12 inch pressing.

during these days where lo-fi analogue house productions seems to be the it thing, its time to dig out a release by one of the true pioneers of house music. not an outsider but one of the names thats been around forever and thats known for several timeless house classics.

its all about the dub mix on this next instalment from lips, unusual for this nascent black label from an un-named though not too hard to guess infamous band of london party promoters. this one is a semi official release on top trumps smashing 180g vinyl.

limited 12inch 180g records, single press, hand stamped, individually numbered, no repress, no digital. tusk says, -the title track from tw15 was conceived after a particular heavy tusk wax label party at renate in berlin. i went back to my old pal pork intl s place for a bit of drunk studio time and told him all about the living legend that is gizzy the fox. a couple of bottles of wine later and i was telling the story to a microphone and we were writing an oddity of a track. if you have had the pleasure to meet gizzy and spend time in renate you might understand the lyrics, if not, they ll probably just sound like the rantings of a drunk man, funny that.-

it was a little bit quite around the wirrwarr label in the last few years, as the boys focused on other projects like building up an bookingagency, a 2nd recordshop, new labels and for sure producing new music. now they are back with some fresh and crazy minimal techno tracks. on a1 we have mr. wigbert with his first appeareance on wirrwarr, a2 comes from labelhead locke in cooperation with mc shaver. b1 is a freaky brain damaging minimal monster by matt star. and last but not least b2 called *piano*, a old but still fresh sounding work of locke. freak out!

the very first release is by montreal based artist, stefny winter who emerges here with a wonderfully crafted tuned project. slightly stripped down but at the same time, providing a low end, fizzle bass, winter pushes hypnotic rhythms with a not so subtle smirk. a wink to audion, or a perlonesque aesthetic, this ep ensues a groovy moment as well as heartily groove.

its about time to invite on material-board the italian dons: supernova! 1sided track.. proper tune! not to be missed.

there are things in life which are suitable and things in life which aren t suitable. the things which are suitable should be ignored and left for those who enjoyed being tucked into bed and being walked across the street with their hands being held. the things which aren t suitable are what you will probably have some fun with despite the bumps and bruises suffered as a result. the suitable nature of the unsuitability of the following cheek full of tongue provided by scott robinson, ben pest, nox, and norman mueller will hopefully not cause any permanent damage along the way.

keep the groove on is an atmospheric electrohouse track that builds the whole way through his several breakdowns flip over for the very atmospheric cellar door with its cool acidic flavour and huge synth riffs not to be missed

drums are rollin , chords evolve and the bass just sits there, right where it belongs - gorge is back! the label-head returns to 8bit with three new tracks to give your sets that extra spice of deep. although sharing the same vibe and quality, each production stands out on it’s own through individual elements and dynamic arrangements. azuka ep is a timeless clubbanger and perfect fit for any tech-djs collection, enjoy. supporter: anja schneider, sidney charles, mihai popoviciu, oliver koletzki, noir, daniel stefanik, felix da housecat, dubfire, reboot, sasha, jimpster, leon, richie hawtin, hot since 82, joseph capriati, matthias tanzmann, nick curly

sam kdc returns with perhaps his most unique release to date. four tracks that well and truly blur the lines between many genres, while keeping the tempo steady at 85/170 bpm. immolate kicks off proceedings, with its ethnic vocal chant and tripping kick drums. eerie vibes from start to finish. moving on to the frantic navigation to nowhere, which opens with an ominous arp and frenetic kick drums build up to an uneasy acid lead. flip side opens with vessel, which keeps the atmosphere dark and introduces techno sensibilities to the fold. finally, purgatory wraps things up with yet another frenzied climax. the order & the entity is a rewarding listen offering something truly unique. we guarantee you will not have heard music like this anywhere else!

alma negra is not only a mountain in the cordillera de la ramada range of the andes mountains, it is also a collective who are based in basel, switzerland. the collective is made up of miajica, dario rohrbach & dersu figueria. they are passionate diggers who loves playing music from all over the world & had their debut last year on the infamous sofrito label with heavy edits from the islands of cabo verde. this release on basic fingers is unique in every way, the keyword of this ep is rhythm. the trio has created something truly imaginative, captivating, and capable of tingling every muscle in your body. three wonderfully inventive & accessible tracks & another basic fingers sureshot.

chaise longue aka slikk tim delivers a fantastic deep cut with early deep house sound reminiscence of early guidance recordings, beautiful keys, deep baseline and a live guitar. bittersuite - straight up late night house music, deep and emotional pads with amazing keys, perfect track to complete the side side b delivers a exceptional track by a secret artist - not much needs to be said, just check the track & your understand what its all about. js gruvs is new guy from the french department, his track is deep groovy late night grover, accompanied by soulful keys and old school baseline, quality track - deep for the heads

brash and rawkus house from japan. new comer on crowdspacer from japan, keita sano already released a few tracks on the amazing mr saturday night label. for crowdspacer, he came up with super twisted dirty techno. kung fu dog is like bruce lee making beats on cassette tape. red clay is like atomic power waves. and one punch is like godzilla stepping on your toe. not for the faint hearted.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

wargames is back, this time on 12 format for maximum impact. four new tracks coming in from the dark lord of the weird, do not weep for those who are not prepared

there are lots of producers out there who try really hard to do something else. then, there are these chosen few artists that effortlessly are something else in their own right. durian brothers and their magical array of modified turntables, sequencers and machines belong in this selected circle. so this mini album is a quite special and unconventional release, but that doesnt mean its not dance music - quite the opposite!

supplying us with a vast array of sounds and textures, deep site recordings vinyl imprint gives us the *honey bunny ep* from the very talented producer and dj, jesus gonsev hailing from real, spain. with a wide discography from labels such as peppermint jam, prog city, house cafe music, gastspiel and tenor recordings, not to mention his own imprint, the highly respected troubled kids records mr. gonsev shows us what he is all about with this 4-track ep.

after taking a short break house of disco records are back with a purpose. not content with the adding to the plethora of disco edit labels representing the genre they have opted to walk a more distinct path, determined to lean on originals or clever sampling as opposed to outright re-rubs. in this their twelfth release they recruit previous label-mate harry wolfman and compadre skinny love to provide three stunning dancefloor ready originals. the duo have certainly delivered on the brief and turned in three diverse and clever takes on what a modern disco track with a house soul can represent. on remix duties they have recruited a promising young producer kickflip mike, who has released on box aus holz as joschka seibt and paired him with experienced disco merchant the revenge who is responsible for some of the best remixes we know of, and he doesnt disappoint here with either remix.

3rd release , comes with tracks from adam collins , darren haris, hinode

dense & pika return to hotflush with their first original material since last year s smash, colt . meanwhile they issued a chart-topping remix of paul woolford s erotic discourse with a signature bombast that carries over into the present klank ep. six tracks leave plenty of room for variety, however, from the toecap shuffle of the eponymous lead track to bad ink s melodic grand designs, through slacker s binary jack and the pared-down house groove that is slowhand , not to mention the aquatic depths explored by wandering hands , we see dense & pika s muscles at full flex.

after debuting on no.19 music in 2012 with his still excellent *so good ep*, mexa records boss and serious mexican house talent louie fresco is back on the label with a brand new release, arabian sexcapade. this single is the second off his forthcoming full length album, due for release on no.19 music in may and comes backed with not one but two remixes from house godfather dennis ferrer, plus one from highly respected duo frank & tony aka francis harris and anthony collins.

birgan is an recording artist from rome /italy. there is not much known about him. his original >essia< is an analog production with bits of symphonic sounding sounds interaction with the much louder spheric bubbles of sound. the remix comes from the echologist aka brendon moeller known fro his releases worldwide. he leaves his traces of acid in a remix that builds up the tension while he plays. using repetition and constant changes on another level he manages to keep the remix soulful.

not content with a rich back catalogue of releases under a plethora of monikers such as dabrye, jtc and charles manier spanning multiple genres on labels such as ghostly and rephlex to name a few, 2014 seemed like the right time to create an imprint with the aim of releasing the rich flood of music that flows forth from tadd mullinix.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats and the driving grooves

insmonia is the new project that mihalis & cj will run. so this is the point where everything start! amazing rave beats with a demarzo remix. not to be missed!

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
not one to overstate the obvious, the disco scene is fairly obsessed with the cosmos. whiskey disco #31, offers four more reasons to space dance! hristo sets course for the stars with x-otic love, an unhinged and epic ride from funky start to euphoric end. next up is enigmatic editor, satisfaction, love & passions edit, dance (dance, dance), a cut sent to us under the veil of night with no return address. for the return, we cruise towards home with detroits rising star, pontchartrain as he guides us through some lesser known italo-influenced, synth heavy and floor packing reworks, be my lover + dance with me.

get a first glimpse into the musical mind of henry gilles. on their 7th offering public possession proudly presents to you another munich local: this is the first part of collected works henry has gathered over the past three years, with the second soon to come. we are very happy to share these tracks with you as we think henry is one of the most interesting young producers out there. whilst this release is musically leaning towards house and disco you can expect a wide range of different styles in the near future, ranging from hip hop to downbeat and further.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

after one year from the foundation of arts, label boss emmanuel focused on giving space for all the other sonic artists that he found on his road. he is back to give directives for the label, and give more sonic spectrum for the people. mentality is the result of a long process, it focus on mechanical quality and precision, scenario is a picture of something you do not know, but would like to see.

enter the spiral - the title of the opening track by the first collaborative work between sebastian mullaert and eitan reiter is not just a random name. it is a title which anticipates what can happen if you let yourself go alongside their nine epic musical trips

indeed, everything is permissible if god does not exist, and man is consequently abandoned, for he cannot find anything to rely on - neither within nor without. first, he finds there are no excuses. for if it is true that existence precedes essence, we can never explain our actions by reference to a given and immutable human nature. in other words, there is no determinism - man is free, man is freedom. if, however, god does not exist, we will encounter no values or orders that can legitimize our conduct. thus, we have neither behind us, nor before us, in the luminous realm of values, any means of justification or excuse. we are left alone and without excuse. that is what i mean when i say that man is condemned to be free: condemned, because he did not create himself, yet nonetheless free, because once cast in to the world, he is responsible for everything he does.

definition:music have only gone and done it again! this time around, the swiss label strikes another home run thanks to the emerging but inimitable talents of dene antony, a much heralded and talked about british native whos already lined out for the likes of love not money and undertechnical.

emotional rescue takes a look towards the dancefloor sounds of britain underground 80s electronic synth-pop scene for their next release. from dallas infamous ecstacy fueled starck club to the le palace in paris, it was such music that while not gaining wider pop recognition, become classics of their time and the secret finds for today s djs.